Early Modern Europe

Book

The Politics of Power: Elites of an Early Modern State in Germany, Institut für Europäische Geschichte, Vol. 177 (Mainz: Philipp von Zabern Verlag, 2000).


Book Chapter

“A Veritable Break with the Past: Sacred Music in Fifteenth-Century Basel,” in Medieval Germany: Associations and Delineations, ed. Nancy van Deusen, Claremont Cultural Studies, 4 (Ottawa: Institute of Medieval Music, 2000), 163-72.


Peer-Reviewed Articles

1.  “A Question of Corruption: The Case of Martin Nuttel, 1543–44,” German History 11, no. 2 (1993): 127-40. DOI: 10.1093/gh/11.2.127.  Online at http://gh.oxfordjournals.org/content/11/2/127.extract

2. “Music Patronage of the Württemberg Hofkapelle, c. 1500-1650,” German History 13, no. 2 (1995): 151-62. DOI: 10.1093/gh/13.2.151. Online at http://gh.oxfordjournals.org/content/13/2/151.extract

3. “Hymnody and Hymnals in Basel, 1526-1606,” The Sixteenth Century Journal 32, no. 3 (2001): 723-41. DOI: 10.2307/2671509. Online at http://www.jstor.org/stable/2671509

4. “The Shifting Fortunes of War: Patronage of the Württemberg Hofkapelle during the Thirty Years War,” German History 25, no. 1 (2007): 1-21. DOI: 10.1093/0266355407071987. Online at http://gh.oxfordjournals.org/content/25/1/1.abstract


Encyclopedia Entry

“Duchy of Württemberg,” in Europe 1450 to 1789: Encyclopedia of the Early Modern World, ed. Jonathan Dewald, 6 vols. (New York: Charles Scribner’s Sons, 2003), vol. 6: 249-51. Online at http://www.encyclopedia.com/doc/1G2-3404901210.html


Book Reviews

1. Jeffery T. Kite-Powell, ed., A Performer’s Guide to Renaissance Music (New York: Schirmer Books, 1994), in Sixteenth Century Journal 26, no. 2 (1995): 421.

2. David Lasocki with Roger Prior, The Bassanos: Venetian Musicians and Instrument Makers in England, 1531-1665 (Aldershot, UK: Scolar Press, 1995) in Sixteenth Century Journal 27, no. 2 (1996): 599.

3. Paul Westermeyer, Te Deum: The Church and Music (Minneapolis: Fortress Press, 1998), in Sixteenth Century Journal 30, no. 3 (1999): 843-44.


Grants

1. Cambridge University and UK Government Overseas Research Student Awards, 1987-91

2. American Friends of Cambridge University Travel Grants, 1988-89

3. German Historical Institute Grant, 1988-89

4. Prince Consort and Thirwell Fund Award, 1989

5. American Friends of Cambridge University Scholarship, 1989-90

6. Clare College Travel Grant, 1990

7. American Friends of Cambridge University Research Award, 1990

8. Clare College Research Award, 1991

9. Fellowship, Institut für Europäische Geschichte, Mainz, Germany, 1995


Presentations

1. “Elites and the Reformation in Württemberg,” panelist, Sixteenth Century Studies Conference, Atlanta, GA, October 1992

2. “Sacred Music and the Reformation in Basel,” Seminar on Comparative Religion, Prof. Mark Edwards, Jr., Harvard University, Cambridge, MA, February 1993

3. “Music and the Hofkapelle of Württemberg, ca. 1500 – 1650,” Rocky Mountain Medieval and Renaissance Studies Conference, Flagstaff, AZ, April 1993

4. “A Veritable Break with the Past: Sacred Music in Fifteenth-Century Basel,” invited speaker, Symposium on Medieval Germany, Claremont Graduate University, Claremont, CA, March 1994

5. “Continuity and Discontinuity in Basel’s Sacred Music, 1550-1600,” panelist, Sixteenth Century Studies Conference, Toronto, Canada, October 28, 1994

6. “Music and Text of the Lobwasser Psalter of Basel, 1606,” panelist, Sixteenth Century Studies Conference, San Francisco, October 1995

7. “The Simplicity of Hymnody in Basel, 1540-1606,” American Musicological Society Meeting, Southwest Chapter, University of California, Santa Barbara, November 1995

8. “The Essence of Simplicity: Hymnody and Hymnals in Basel,” The Huguenot Society of California, Los Angeles, May 1996

9. “The Silk Trade in Basel,” invited speaker, co-presentation with Christine Ersig Marcus, The Huguenot Society of California, Los Angeles, May 27, 2000

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